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([personal profile] beatrice_otter Jul. 2nd, 2025 08:22 pm)
The hardest thing about writing Peter Wimsey fanfic is the quotes. Peter Wimsey and Harriet Vane have an encyclopedic knowledge of the literature of their era (and the literature that was considered classic/important in that era), and quote it often.

Today I posted on the Gaud Squad Discord that it would be awesome if we had a searchable database of the literature and poetry that they knew or could reasonably be expected to know, searchable by keyword and theme, so that one could look things up easily. And that I would be willing to do the data entry, but had not the technical skills to set it up.
supertailz responded by setting up a Notion instance and is noodling around with the technical aspects of it, so it looks like this is happening!

The easy part is getting the literature that Peter and Harriet quote added--all I have to do is read through the books (no hardship there!) and source the quotations. Although I know there are some annotated versions floating around, and if anyone has a copy of the annotations, that would be lovely.

The hard part is getting the right mix of things that Peter and Harriet would have known. Because what is considered "classic literature" changes over time. Some things rise in acclaim, some things fall out of favor. What would be really handy is a curriculum for Eton ca. 1900 and for Oxford ca. 1910, but so far I haven't found anything. Does anybody know how to search "what literary works were considered classics in 1920"? Or have a good list of where to start?
rachelmanija: (Books: old)
([personal profile] rachelmanija Jul. 2nd, 2025 01:39 pm)


In a prologue that's very Terry Pratchett-esque without actually being funny, an enormous floating tower appears in England, becomes a 12-hour wonder, and is then forgotten as people have short attention spans. Then thirteen random people suddenly vanish from their lives and appear at the base of the tower, facing the command ASCEND.

I normally love stories about people dealing with inexplicable alien architecture. This was the most boring and unimaginative version of that idea I've ever read. Each level is a death trap based on something in one of their minds - a video game, The Poseidon Adventure, an old home - but less interesting than that sounds. The action was repetitive, the characters were paper-thin, and one, an already-dated influencer, was actively painful to read:

Time to give her the Alpha Male rizzzzzzz, baby!

The ending was, unsurprisingly, also a cliche.

Read more... )

I read a lot of MASH fic recently, and while most of it was very good, there were also a ton of inaccuracies about what mid-century America was like. I'm not an expert, but at the same time, I did listen to my parents and grandparents when they talked about what life was like when they were younger. And also, I know what's changed within my lifetime (born in 1982), and quite a lot of things people today take for granted are actually new within my lifetime, and thus not around prior to the 1980s. Now, this is fanfic, and if you don't care about historical accuracy in your fic, that is a fine and valid choice and I salute you. If, however, you do want to at least try to avoid major gaffes, here are things I've noticed that people get wrong a lot: 

 

Women's rights: Ms. )

 

Travel )

 

 

Money and Credit )Alcohol )

 

 

Childcare )

 

Phone Calls )

 

Progressive Ideas )

 

The Ad Council )

 

Entertainment )

 

Police )

These are just a few of the things that have changed in the last fifty years. And, of course, I'm only one person and might have got things wrong. Let me know if you see things I missed
 

Rebloggable on tumblr
84 Charing Cross Road, by Helene Hanff




A sweet epistolatory memoir consisting of the letters written by a woman in New York City with extremely specific tastes (mostly classic nonfiction) and the English bookseller whose books she buys. Their correspondence continues over 20 years, from the 1940s to the 1960s. It's an enjoyable read but I think it became a ginormous bestseller largely because it hit some kind of cultural zeitgeist when it came out.


I Survived the Great Molasses Flood, by Lauren Tarshis




The graphic novel version! I read this after DNFing the supposedly definitive book on the event, Dark Flood, due to the author making all sorts of unsourced claims while bragging about all the research he did. The point at which I returned the book to Ingram with extreme prejudice was when he claimed that no one had ever written about the flood before him except for children's books where it was depicted as a delightful fairyland where children danced around snacking on candy. WHAT CHILDREN'S BOOKS ARE YOU TALKING ABOUT?

The heroine of I Survived the Great Molasses Flood is an immigrant from Italy whose family was decimated in a flood over there. A water flood. It's got a nice storyline about the immigrant experience. The molasses flood is not depicted as a delightful fairyland because I suspect no one has ever done that. It also provides the intriguing context that the molasses was not used for sweetening food, but was going to be converted into sugar alcohol to be used, among other things, for making bombs!

My favorite horrifying detail was that when the giant molasses vat started expanding, screws popped out so fast that they acted as shrapnel. I also enjoyed the SPLOOSH! SPLAT! GRRRRMMMMM! sound effects.


The 7 1/2 Deaths of Evelyn Hardcastle, by Stuart Turton




A very unusual murder mystery/historical/fantasy/??? about a guy who wakes up with amnesia in someone else's body. He quickly learns that he is being body-switched every time he falls asleep, into the bodies of assorted people present at a party where Evelyn Hardcastle was murdered. He needs to solve the mystery, or else.

This premise gets even more complicated from then on; it's not just a mystery who killed Evelyn Hardcastle, but why he's being bodyswapped, and who other mysterious people are. It's technically adept and entertaining. Everything does have an explanation, and a fairly interesting and weird one - which makes sense, as it's a weird book.
sandrine: (tv)
([personal profile] sandrine Jun. 27th, 2025 04:12 pm)
Daredevil: Born Again S1: I really struggled to get through this, and only the promise of a Frank/Matt team-up made me finish watching.

I didn't always like Matt's friendship with Foggy and Karen in the past and found Foggy's attitude towards Daredevil extremely grating, so I wasn't sad that neither of them was in the spin-off much. But the new supporting cast was terribly written and two-dimensional – they all felt like plot devices rather than characters. So it essentially became the Matt-and-Fisk show, and I really don't care about Fisk. I found the main storyline incredibly dull, and there were almost no noteworthy side storylines to distract me. I really enjoyed the episode with the bank robbery, which felt like a bottle episode in some ways, and had a fun case-of-the-week feeling. That was the sole highlight of the show for me, though,

I did like Karen calling Frank to save Matt, and the three of them bickering for a moment in the season finale, which was a lot of fun, but too little too late, and the fact that there was no ending to the season – not even a proper cliffhanger; It just stopped without any kind of resolution – ruined it for me. I don't think I'll be back for S2 unless it mixes things up a lot. And I hope the Punisher spin-off will be better written.


The Empress S2: They're doing some wild time jumps, but if it makes them able to tell more of Elisabeth's story than the RTL show did, that works for me. I wasn't into Devrim Lingnau's wig this season (what's with the weird bangs?), but her acting remains sublime – her grief over her daughter's death felt so real and painful. I generally liked how they tackled actual historical events and court politics.

Maximilian remains one of my favorite (he's ridiculously handsome this season), though I wasn't impressed with his new wife. Knowing what's to come for him, the ending with him leaving court felt more tragic than Franz deciding to join the war himself. (He'll be fine. Maximilian won't.)

I like what the show is doing with Sophie – how she cold-hearted when she feels she needs to be, and she keeps it all bottled up, but there are moments when she allows herself to be soft (she clearly adored her first-born grandchild!) and moments when she feels too disillusioned to maintain the facade. I liked her weird thing with von Bach – maybe more than I liked von Bach's romance with 'Leontine'. Him sending her away when he found out she was a fraud pissed me off. In general, I wasn't into what the show did with the ladies in waiting this season. Charlotte blackmailing Leontine and keeping her from the Empress was very WTF?! and Margarete only enduring court politics while drunk or high seemed at odds with her role last season.


Netflix announced a third and final season of The Empress (to be released next year), so I'm curious how they'll wrap things up.

In other TV news, Mobland has been renewed for a second season! *\o/*
vass: Small turtle with green leaf in its mouth (Default)
([personal profile] vass Jun. 27th, 2025 09:42 pm)
Books
Still reading A Power Unbound.

Comics
Caught up on Order of the Stick (I was at about #1319, and the most recent one was #1328.) Welp, that was a thing that happened.

Things are also Happening in Dumbing of Age. I am looking at the title text in June 24's strip and glowering distrustfully at Willis after what happened last big finale.

Games
Playing a lot of Simon Tatham's Puzzle Games on my phone.
Slay the Spire: have now unlocked Ascension 4 on all four characters. Surprisingly (to me?) the hardest run on Ascension 3 was with the Defect.

Links


Cats
Ash is down an incisor and a canine as of last Tuesday. He was good and brave at the vet and, after he got home, patient with Dorian's mistaking him for a stranger because he smelled Wrong.

Phenology
No new kangaroo visits. It's been very cold out.
E is at church camp and A just got the latest Percy Jackson: Senior Year Adventures from the library and has been reading it all evening, so I finally had time to write this up!

This is what I've actually been reading over the last six months/year and why I've been even slower than usual about reading everything else (although I did tell A. I had to take turns with the Hugo novels). For E this was mostly stuff she read for school that she wanted me to read so I could help her with her papers, while for A. this has been books he really likes and wants to... well, he doesn't want to talk to me about them really, he more wants to ask me questions about what parts I liked and whether I thought X was funny and so on.
American Born Chinese, All American Boys, Frankly in Love, Raisin in the Sun, Keeper of the Lost Cities: 2-9.5, all of Rick Riordan's Percy Jackson/Olympus/etc. series )

I am still working on Magnus Chase, and as I mentioned we just got the latest Percy Jackson: Senior Year Adventures (a much more low-key series) from the library, so I do have a few more to go...
sef1029: Shen Wei and Zhao Yunlan faces (Default)
([personal profile] sef1029 Jun. 24th, 2025 08:11 pm)
Title: Voices 
Words: 33,672 words 
Fandom: 镇魂 | Guardian (TV 2018)
Relationships: Weilan, Chuguo
Characters: Shen Wei, Zhao Yunlan, Zhao Xinci, Shen Xi, Zhang Shi, Da Qing, Chu Shuzhi, Guo Changcheng, Zhu Hong, SID team, Fu You
Additional tags: Fix-It, Follow-on from episode 17, Multiple POVs, Story of the gun, Loss of Shen Xi
Summary: Zhao Yunlan's first visit to Dixing reveals the reason for his mother's death and the origin of his father's magic gun. Fu You had a plan.
rachelmanija: (Books: old)
([personal profile] rachelmanija Jun. 20th, 2025 10:18 am)


While on a commercial expedition, an unexpected accident causes Mai, an engineer, and Juna, an HR person, to crash-land on a pitch-black planet called Shroud. They can't get out of their escape pod because the air is corrosive and unbreathable, and they can't call for help. Their only hope is to use the pod's walker system to trek all the way across the planet... which turns out to be absolutely teeming with extremely weird life, none of which can see, all of which communicates via electromagnetic signals, most of which constructs exoskeletons for itself with organic materials, and some of which is extremely large.

As readers, we learn very early on that at least some of the life on Shroud is intelligent. But Juna and Mai don't know that, the intelligent Shroud beings don't know that humans are intelligent, and human and Shroud life is so different that it makes perfect sense that they can't tell. As Juna and Mai make their probably-doomed expedition across Shroud, they're accompanied by curious Shroud beings, frequently attacked by other Shroud creatures, face some of the most daunting terrain imaginable, and slowly begin to learn the truth about Shroud. But even if they succeed in rescuing themselves, the predatory capitalist company that sent them on their expedition on the first place is determined to strip Shroud for materials, and doesn't care if its indigenous life is intelligent or not.

This is possibly the best first contact novel I've ever read. It's the flip side of Alien Clay, which was 70% depressing capitalist dystopia and 30% cool aliens. Shroud is 10% depressing capitalist dystopia and 90% cool aliens - or rather, 90% cool aliens and humans interacting with cool aliens. It's a marvelous alien travelogue, it has so many jaw-dropping moments, and it's very thematically unified and neatly plotted. The climax is absolutely killer.

The characterization is sketchy but sufficient. The ending is a little abrupt, but you can easily extrapolate what happens from there, and it's VERY satisfying. As far as I know this is a standalone, but I would certainly enjoy a sequel if Tchaikovsky decided to write one.

My absolute favorite moment, which was something you can only do in science fiction, is a great big spoiler. Read more... )
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([personal profile] cahn Jun. 20th, 2025 09:31 am)
I have now read the Hugo novel nominees, where by "read" I mean "DNF'd two of them" -- Ministry of Time, Service Model, Alien Clay, Tainted Cup, Someone You Can Build a Nest In (I read in this order).

In the reverse order of how much I liked them:

The Tainted Cup (Bennett) - 4/5 - this book is set in an Empire continually threatened by giant leviathans every year, and in which they have discovered how to do all kinds of biological manipulations. Dinios "Din" Kol is an engraver, a person who has been biologically modified to have a perfect memory; he works for the brilliant investigator Anagosa "Ana" Dolabra, who has her own set of personal idiosyncracies. As the book starts, Din is investigating a murder, but the murder rapidly expands to involve a larger set of deaths and a larger set of power structures within the Empire.

[personal profile] ase pointed out that of all the nominees this is in some ways the most traditional-Hugo one (concentrating heavily on worldbuilding and plot) and yeah, I am That Traditional Hugo Voter. I loved this book, which first of all had a great premise, but also I felt had a precision and detail that I really enjoy in both the worldbuilding and the murder mystery. All the clues were right there (some were more obvious than others), and I even picked up a few of them, although not enough of them that I really had any idea what was going on (I would have had to pay a lot better attention, for one thing). The worldbuilding is really detailed and interesting to me, and the mystery is one that is centered right in the worldbuilding in a lot of different ways, which I find really cool.

I also have as a long-standing complaint about media in general that whenever there's an unequal partnership, the person in the position of intellectual power, the chess-player who is the mover and placer of the pawn(s) on the boards, is always a man -- though the other person in the partnership may be a woman. And I was charmed to see that reversed here, with Ana being the mover and placer.

I could imagine someone not loving this book because Ana and Din do work within the structures of an Empire that is pretty clearly extremely imperfect and rife with corruption, even if Ana does give a rousing speech about how her duty is to try to root out the corruption. I do think that some of how I feel about it will depend on further books in the series and how they deal with that. But either way, I very much appreciated the complexity of how many if not all the characters turn out to be various shades of gray; the "good" characters are still working in a corrupted system, and at the same time, one can usually understand why the "bad" characters do the bad things that they do, often as reactions to that same system.


Major spoilers
I also kind of loved that the solution to the mystery turned on bureaucracy and also on a giant money-making scheme. That's so... plausible.

I loved this one enough that I'm immediately picking up the next one at the library. Which other Bennetts should I read? I started City of Stairs but never got very far -- but maybe I should have forged onward a bit more?

The Ministry of Time (Bradley) - 3+/5 - In which various people are brought through time to a near-future Britain and are acclimatized to modern life by living with a government-admin "bridge" -- most particularly Graham Gore, a nineteenth-century Arctic explorer, and his bridge, the unnamed narrator, who is a woman with a British father and Cambodian mother. Meanwhile, there are attacks that appear to be related to the time traveling...

I was confused while reading this book for a long time. The author seemed to have a pretty clear idea on how Gore's mind would have worked, historically speaking, which meant I had no idea why anything was set up the way it was -- why is Gore's bridge a mixed-race woman, why are they living alone together in a house, none of this makes sense -- until the romance started, and then I finished the book and read the afterwards, and ohhhhh, okay, it started life as a fanfic, and all of that was basically the setup to get the ship together, yeah, I get it now, I have written that fic too where the justification for throwing the ship together made, uh, minimal sense. (To be fair, there are some plot-relevant justifications for the setup of the Ministry that only get revealed near the end, and I thought that part was neat.)

All this being said, if one accepts the implausible setup, everything else that followed was interesting, and I did find the book compelling enough that I was eager to read it all the way through. I definitely liked it more than the average Hugo finalist this time out!

Service Model (Tchaikovsky) - 3/5 - A robot butler puts himself out of work and goes on a road trip, occasionally accompanied, to try to find humans to give him more work. It was fine and quite readable (Charles, as the robot butler starts out being called, is a reasonably engaging POV), although I felt like it could probably have been wrapped up in a novella or even novelette -- I felt like the road trip went on and on without adding very much value, and then suddenly all the plot (which I enjoyed!) happened in like the last five percent. One of those angry books about how terrible modern society and human beings are. It's not that I disagree, it's just that it is a bit wearisome to read a whole book about it.

Someone You Can Build a Nest In (Wiswell) - DNF - a tale told from the POV of the monster Shesheshen, who likes to eat humans. This wasn't a bad book, it would probably have gotten at least a 3/5 if I'd finished it, but I made the mistake of not tackling it until after having read The Tainted Cup. Nest just doesn't have that kind of complexity at all, by which I mostly mean the characters. (I also don't think the worldbuilding and plot is nearly as complex and interesting either, but I didn't read far enough for those things to bother me as much.) In Nest, there are definitely Bad characters whose only function is to be so over-the-top obnoxious that we cheer when Shesheshen eats them. I also was annoyed by the character-worldbuilding in which Shesheshen knows just enough about humans to be able to be all self-righteous about how annoying and hypocritical humans are. (Monsters, as far as I can tell, are totally great. Like, they eat their parent and siblings and all, but that's cool, that's just the way they are.) Idk, maybe I was brought up on too much Tiptree, I would have liked her to be a little more, well, alien than to be able to discourse on humans being hypocritical (which to my mind presupposes a reasonably sophisticated understanding of human behavior). But yeah, I should have read it around the same time as Service Model, I would have been able to finish it then.

Alien Clay (Tchaikovsky) - DNF - I can't even make it through the first chapter, I am not sure why. There's something about the narrative voice that I just really am having a hard time getting past.

Hugo novels: Tainted Cup > Sorceress > Ministry of Time > Service Model > Nest > Alien Clay
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